03129904422. www.profnaeem.blogspot.com The Concise Cambridge History of English Literat, Dr. Samuel Johnson's Preface to Shakespeare: Points to Remember, Dr. West’s New Method of Teaching English :Its Merits and Demerits, Aristotle’s Theory of ‘Poetic Imitation’: Salient Features of Theory of Imitation and Contrast with those of Plato, History of English Literature ( Short Questions). vagancesofRuskin'searlyprose.Furthermoreitsvalueisgreatly enhanced bythefactthat it isthe writer'sownnaturalmanner of expression,effected bynothoughtof a possiblereader.Ruskin I write this blog to instill that passion in you. He is speaking and we are listening. However Lipkin does report John Ruskin stating that sex ‘spoils’ a woman and that procreation is ‘bestial’. He stands now as a supreme master of the English tongue. Rhythm is the principal weapon of Ruskin. In these years famous painters such as JMW Turner, John Constable, and John Cotman were at the making the careers. John Ruskin and Oscar Wilde were among the many at Oxford University who adopted Idealism as a philosophical position in the 1870s. History of English Literature- Albert, 2. Such lengthy sentences remind us of, the Sanskrit author. The writer in the later Ards tries to convince the reader by clear arguments, expressed in a plain, clear-cut style. Saintsbury remarks “It is of a piece with the wilful lawlessness and want of self-criticism which distinguish all his work that he too often transgresses the bound­ary between rhythm and metre.” His prose, consequently becomes blank verse. Email: Choice of words and the beauty of his imagery create the rhythm : “Ye sheep without shepherd, it is not the posture that has been shut from you, but the presence.”. Praeterita is an account of childhood, boyhood and youth. So the teacher’s chief concern should be to develop the habit of purposeful silent reading in the children and not the habit of oral reading. There is rhyme in ‘blunt’ and ‘stunt.’ Ruskin’s great power lies in the skilful handling of mono-syllabic words. After Carlyle the next great Victorian non-fictional prose writer is John Ruskin who wrote remarkably on art and the social and economic questions of his time in a style that was delicate, graceful and almost lyrical. While his personal life has titillated some 21st-century film-goers, his genius has influenced the more serious-minded for more than a century. However, Ruskin contributed to the English prose without employing the grand style or the antithesis and similes of Lylyan and the balance and parallelism of … THE WORKS OF LIBRARY EDITION JOHN RUSKIN EDITED BY E. T. COOK AND ALEXANDER WEDDERBURN LONDON GEORGE ALLEN, 156, … “It is indeed, very far from a perfect style : much less is it in any sense a model style or one to be cultivated, studied or followed.” Despite these obvious defects, Ruskin is a great master of an English style, of faultless ease and simplicity. In his lecture on Work, he makes use of nearly sixty Texts of scripture. His main aim is to uplift his audience be- yond the cruelty and social injustice of his time to loftier vistas of perception and ethics. ( Log Out /  Comme l’ont bien montré plusieurs ouvrages critiques récents, l’intérêt que Ruskin a toute sa vie porté à la géologie lui a non seulement permis d’envisager la peinture de la montagne de façon unique mais aussi d’élaborer une théorie de la perception dans laquelle le mouvement et le relief jouent un rôle majeur – théorie qu’il illustra par la suite dans ses propres écrits à travers sa prose poétique. The influence of the Bible is responsible for the rhymic flow of sentences. Read More Drama It is an imitation of imitation. E ighteenth-century writer Samuel Johnson ((1709-1784) is one of the most significant figures in English literature. His fame is due in part to a widely read biography of him, written by his friend James Boswell and published in 1791. The use of too many Biblical allusions make the style obscure and boring. It is ofinterest to note that he used not one but many kinds of style. This profuse use of Biblical references and phrases, contributes so vitally to the moral earnestness and prophetic fervour of Ruskin. There are brilliant descriptive passages which demon­strate his feeling for beauty of form and colour and a tendency to go into superlatives. Sixty seems to be modest estimate. Only loving observation and the trained eye of the landscape artist and the student of paint­ing could make possible such a description as that of the Carshalton pool at the beginning of the Introduction : “Just where the welling of stainless water, trembling and pure, like a body of light, enters the pool of Carshalton, cutting itself a radiant channel down to the gravel, through warp of feathery weeds, all waving, which it traverses with its deep threads of clearness, like the Chalcedony etc.” The description is the outcome of poetic imagination. G. K. Chesterton aptly remarks : Bring out the special significance of Ruskin’s ideas for his age. English writer and critic, born in London, at Hunter Street, Brunswick Square, on the 8th of February 1819, being the only child of John James Ruskin and Margaret Cox. That is modern Christianity.”. Change ). This article has been rated as B-Class. In these circumstances the critic was obliged to create in words an effective sensory and emotional substitute for visual experience. Ruskin is biassed towards the Biblical language and scriptural allusions and, phrases. In the earlier writings of Ruskin, we find an ornamental, gorg­eous prose. He satirises, “It is only Lord’s cricket ground without the turf —a huge billiard table without the cloth, and with pockets as deepas the bottomless pit : but mainly a billiard table, after all.” Again, he speaks of, there—rattling, growling, smok­ing, stinking—a ghastly heap of fermenting brick-work, pouring out poison at every pore.”, Ruskin’s style is thus, effective, incisive, imaginative and lucid. The writer shows the mastery of sound, colour and motion of words. The picturesque in his style and grand language in prose and poetry were widely used inherent... ( Log Out / Change ), You are commenting using your account. 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